EAR-Yoshino EAR 899 Integrated Amplifier

Enhanced triode mode integrated amplifier. Building on the success of the EAR 859 with increase power output and better control of operating conditions irrespective of valve parameters and age.

EAR-Yoshino EAR 868 Preamplifier

Encased in solid built construction, to a quality you would expect. Each front fascia is CNC milled for a high level of precision typically associated with finely crafted watches. It’s 10mm thick fascia is hand-finished in flawless chrome and is matched by it’s clutter-free interface. Four gold or chrome finished controls dial in the experience. EAR have a heritage of crafting products for more than 30 years and if that wasn’t enough, it’s good to know that its designed and made in England.

EAR-Yoshino EAR 509 Monoblocks

The EAR 509 mono was born to serve professional studios. The nature of high fidelity in studios makes it perfectly suited for audio playback in the home. The 100 Watt mono is a Tim de Paravicini design classic that has been in continual production for over 30 years. Its timeless rectilinear form is hand finished in polished chrome giving a clean and elegant look. Despite its high power, it has been refined to be densely packaged without sacrificing any performance enabling the compact design.Please Note: Price is for a pair of monoblocks.

EAR-Yoshino EAR 890 Power Amplifier

Push-pull power amplifier using eight KT90 output valves (four per channel). 70 Watts per channel stereo (bridgeable to 140 watts mono) into 4, 8, or 16 ohms. Self-biasing design with Balanced or unbalanced input.

EAR-Yoshino EAR 534 Power Amplifier

A Push-pull power amplifier with 50 watts per channel stereo utilising eight EL34 (four per channel) into 4, 8 and 16 ohms. Self-biasing operations with balanced or unbalanced inputs. Chrome facia.

EAR-Yoshino EAR V12 Integrated Amplifier

Referenced from Tim de Paravicini’s admiration of Jaguar’s powerplant, the EAR V12 extracts much of the same philosophy. The design utilises six EL84s on each bank for a total of twelve, the sum of which is high performance with balance and grace. The geometry isn’t just engine mimicry but allows for an organised and compact layout with central weight distribution. This creates a design that has powerful lines and compelling proportions. Despite its bold use of chrome and adventurous styling, the EAR V12 sits proud but is not obtrusive in any environment.

EAR-Yoshino EAR 869 Integrated Amplifier

Enhanced triode mode integrated amplifier. Building on the success of the EAR 859 with increase power output and better control of operating conditions irrespective of valve parameters and age.

EAR-Yoshino EAR 834 Integrated Amplifier

Push-pull stereo integrated amplifier. 50 Watts per channel into 4, 8, or 16 Ohms. Uses 6L6, EL34, or KT66 output tubes. Self-biasing. Six line inputs and one tape output.

EAR-Yoshino EAR 912 Preamplifier

The EAR 912 is a culmination of Tim de Paravicini’s work with professional studios. Specifically designed for playback in studios, inheriting the product a rich feature set in addition to its high grade sound. Despite these advanced capabilities, it still has style and grace to make it feel at home anywhere. Subtle professional influences such as the UV meters and solid aluminium handles reinforce that this is not just another preamp.

EAR-Yoshino EAR 834L Preamplifier

Incredibly compact valve pre-amplifier for analogue line level. Using three ECC88s to create smooth sound. Luxurious design with chrome facia and gold knobs. Connect up to five analogue line inputs with a tape output.